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	<title>Portfolio &#8211; Asmin Film Production</title>
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		<title>Earth</title>
		<link>https://www.asminfilm.com/en/earth/</link>
					<comments>https://www.asminfilm.com/en/earth/#respond</comments>
		
		<dc:creator><![CDATA[Yavuz AYDIN]]></dc:creator>
		<pubDate>Fri, 24 Oct 2025 22:12:05 +0000</pubDate>
				<guid isPermaLink="false">https://beemedya.com/asmin/?post_type=portfolio&#038;p=12635</guid>

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			<h2>About Film</h2>
<p>Yeryüzü (Earth) Association has been founded in order to support ecological life and fight environmental problems. Their main argument is organic farming. When we look at the members of the Association, a variety of jobs and different age groups are detected. Their dream is to build an Eco Village. They have set 10 years in front of them to realize that because they are aware that leaving the city is not easy. While they are in the city, they are trying to change the city ecologically. City Gardens Project aims at uniting the urban people with the nature.</p>
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<div style="position: relative; padding-bottom: 56.25%; height: 0; overflow: hidden;"><iframe style="width: 100%; height: 100%; position: absolute; left: 0px; top: 0px; overflow: hidden; border: none;" src="https://geo.dailymotion.com/player.html?video=x4v7vk7"></iframe></div>
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													<p>Aytaç: I want to eat vegetables without chemical fertilizers. Don’t I have a right to do so? Now, you have to fight for that. Also, I want the climate not to change. Likewise, I do not want nuclear power plants in my country, in the neighboring countries, in Europe or in the world. They constantly explode. I don’t want to eat genetically modified food. That means there is something wrong.</p>
<p>Aytaç: We thought we needed to do something. Then we set up Yeryüzü Association.</p>
<p>Aytaç: We have a dream. We want to build an Eco Village. We set a 10-year time limit for that. This is not easy. Leaving the city is really difficult. Maybe we will lose interest or somebody from our group will lose interest, we do not know that yet. Therefore, the best thing is to experience. Hence, we need to bethroth with the land immediately, and then get engaged. After that we will get married. These traditions are there for a reason.</p>
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								Purpose, Approach							</span>
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													<p>With their structuring, crowd and chaos making our lives a torture most of the time, are big cities our only alternatives? Can there be a conscious and preferred country life in our country too? Is it possible to live without being apart from the nature or being carried away by the consumption frenzy? Can there be an urban farmer? Are all these running away from the city, these pursuits a kind of trend? We think aloud with the people whose lives we witness. We are reconsidering the cities we live in. We ask if it is possible to build a new living space with our own color and shape apart from the models that are presented to us.</p>
<p>In a world where everything is constructed upon the urban life are these life trials utopic?</p>
<p>In our narration which we used the witness method basically, we will have questions that we seek answers. Is it possible for people who have spent so much time in big cities to get rid of this urbanism that stick on them?</p>
<p>The work done is very important but how and what is the source of the responses of practical life?</p>
<p>How do people who have little or no contact with the nature have a start in the country? Is this a reunion or just a struggle with the nature? Is the word ‘it’s not the nature that needs us but we need the nature’ valid in every situation?</p>
<p>Is it possible for the ones who fought or struggled with the nature all the time and had a public memory to have another relationship in an instant?</p>
<p>Our film focuses on the ones who leave the city in order to ‘have a collective life in the country’. Although we take a stand with the ‘another life is possible’ idea, our attitude to these stories do not show it. In these life style trials, we not only witness the things created but also show the things that do not work or contradict.</p>
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								Crew							</span>
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<p style="font-weight: 400;">TRT Belgesel Kanalı &#8211; TRT Tourism and Documentary Channel</p>
<p style="font-weight: 400;"><strong>Yönetmen, Metin Yazarı &#8211; </strong><strong>Written and Directed by</strong></p>
<p style="font-weight: 400;">Bingöl Elmas</p>
<p style="font-weight: 400;"><strong>Kameraman &#8211; Camera</strong></p>
<ol>
<li style="font-weight: 400;">Eren Bozbaş, Sultan İlhan</li>
</ol>
<p style="font-weight: 400;"><strong>Kurgu &#8211; Editing</strong></p>
<p style="font-weight: 400;">Uğur Hamidoğulları, Ali İlhan</p>
<p style="font-weight: 400;"><strong>Müzik &#8211; Music</strong></p>
<p style="font-weight: 400;">Taner Sarf</p>
<p style="font-weight: 400;"><strong>Yapım , Yönetim Asistanı &#8211; </strong><strong>Assistants to the Director</strong></p>
<p style="font-weight: 400;">Sultan İlhan</p>
<p style="font-weight: 400;"><strong>Görsel Tasarım ve Jenerik</strong> &#8211; <strong>Color Correction and Generic Desing</strong></p>
<p style="font-weight: 400;">Ali İlhan</p>
<p style="font-weight: 400;"><strong>Ses ve Görüntü Deşifresi &#8211; Sound and Image Design</strong></p>
<p style="font-weight: 400;">Aliye Düşünmez, Sultan İlhan</p>
<p style="font-weight: 400;"><strong>Çeviriler – Translation</strong></p>
<p style="font-weight: 400;">İngilizce- English: Gülşen Altun</p>
<p style="font-weight: 400;">Rusça &#8211; Rusia :<strong> </strong>Emine Beldağ</p>
<p style="font-weight: 400;">Almanca- German:<strong> </strong>Veronika Hartman</p>
<p style="font-weight: 400;"><strong>Altyazı Uygulama – Subtitle Application</strong></p>
<p style="font-weight: 400;">Onur Çakır</p>
<p style="font-weight: 400;"><strong>Muhasebe – Accounting</strong></p>
<p style="font-weight: 400;">Metin Açar</p>
<p style="font-weight: 400;"><strong>Arşiv Görüntüleri</strong></p>
<p style="font-weight: 400;">Sevgi Okay</p>
<p style="font-weight: 400;">© TRT Belgesel Kanalı  – 2012</p>
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								Appearances							</span>
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					<div class="wd-accordion-content wd-entry-content" data-accordion-index="4">
													<p>Aytaç Tolga Timur, Ceyda Saygıner Falay, Fatma Denizci, Emet Değirmenci</p>
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								Supporters							</span>
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					<div class="wd-accordion-content wd-entry-content" data-accordion-index="5">
													<p><strong>Katkılarından Dolayı Teşekkürler</strong></p>
<p>Belgesel Sinemacılar Birliği (BSB) – The Association of Documentary Filmmakers in Turkey (BSB)</p>
<p><strong>Teknik Destek</strong></p>
<p>Çan Film Prodüksiyon – Çan Film Production</p>
<p>Kutup Ayısı Belgesel Yapımlar &#8211; Kutup Ayısı Documentary Productions</p>
<p>Akademi Prodüksiyon- Akademi Production</p>
<p><strong>Özel Teşekkür</strong></p>
<p>Ayça Gülgeç, Aylan Sağlam, Belgin Döven, Murat Cenk Topuzyan,</p>
<p>Deniz Toka Emir, Ece Fatma Aslan,</p>
<p>Ege Kocahan, Ercüment Yıldırım, Gözde Cüce,</p>
<p>Günsel Yıldız, İdil Kışlal, İpek Keyder, İsmail Cerekmen,</p>
<p>Kadir Karabulut, Kandemir Sarısoy, Mehmet Gürmen,</p>
<p>Şandan Çakmak İlhan, Sevgi Akar, Sevil Çakmak, Umut Burcu Tasa,</p>
<p>Yeliz Mert, Selen Çağlayık Eloğlu, Mehmet Ali Yıldız,</p>
<p>Emrah Yelboğa, Arzu Yakut  ve</p>
<p>Zeytinburnu Tıbbi Bitkiler Bahçesi Çalışanları</p>
<p>Banu Uzpeder, İncilay Erdoğan, Melek Toraman,</p>
<p>Mehmet Aksoy, Zuhal Kaynak, Hakan Paşalı</p>
<p>Çiğdem Kesik, Hayriye Savaşçıoğlu ,Zeycan Elmas,</p>
<p>Ayfer Tokatlıoğlu, Alev Elmas Kemal Öner, Mehmet Eryılmaz,</p>
<p>Taner Sarf, Erdem Z. Demirkol</p>
<p>“Bu Program TRT tarafından Asmin Film’eyaptırılmıştır.</p>
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</div><p>&lt;p&gt;The post <a rel="nofollow" href="https://www.asminfilm.com/en/earth/">Earth</a> first appeared on <a rel="nofollow" href="https://www.asminfilm.com">Asmin Film Production</a>.&lt;/p&gt;</p>
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		<item>
		<title>Tarlataban</title>
		<link>https://www.asminfilm.com/en/tarlataban/</link>
					<comments>https://www.asminfilm.com/en/tarlataban/#respond</comments>
		
		<dc:creator><![CDATA[Yavuz AYDIN]]></dc:creator>
		<pubDate>Fri, 24 Oct 2025 22:07:12 +0000</pubDate>
				<guid isPermaLink="false">https://beemedya.com/asmin/?post_type=portfolio&#038;p=12634</guid>

					<description><![CDATA[<p>&lt;p&gt;The post <a rel="nofollow" href="https://www.asminfilm.com/en/tarlataban/">Tarlataban</a> first appeared on <a rel="nofollow" href="https://www.asminfilm.com">Asmin Film Production</a>.&lt;/p&gt;</p>
]]></description>
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			<h2>About Film</h2>
<p>Tarlataban is a structure which was established in Boğaziçi University by a group of people who believe that with collective labor and sharing environmental friendly agriculture is possible. The group who named themselves as Tarlataban started farming in Boğaziçi University’s garden. They had a lot of things to say and protest about the existing foods and agricultural policy. They are trying to create an alternative form to consumer society. They believe they will create a total change on the campus. Althought Tarlataban Collective mainly focuses on Boğaziçi University campus, it continues with participants in and out of the campus. Our film witnesses the works of Tarlataban Collective which was bor out of ‘Starbucks Invasion’.</p>
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													<p>Pınar: Now, while buying food, people do not know where that product came from or what is the story behind. None of us do. How much work there is, how much exploitation behind or how many steps there was in that tomato, cucumber or whatever it is, we have no idea. As consumers we are isolated from all those stories behind it; we just buy and eat.</p>
<p>Cihan: Students decided to invade Starbucks through the end of BÜKOP, we started talking about how we could interfere with the school’s food system and create a new space besides the invasion. The idea of a farm came up then.</p>
<p>Handan: I think people should start change locally. Hence, what we are doing here is to change something at school. We actually want to create something schoolwide, small, and sustainable on the campus. This might be a bigger dream but here we have a mini version of it. This is, at least, a start.</p>
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													<p>With their structuring, crowd and chaos making our lives a torture most of the time, are big cities our only alternatives? Can there be a conscious and preferred country life in our country too? Is it possible to live without being apart from the nature or being carried away by the consumption frenzy? Can there be an urban farmer? Are all these running away from the city, these pursuits a kind of trend? We think aloud with the people whose lives we witness. We are reconsidering the cities we live in. We ask if it is possible to build a new living space with our own color and shape apart from the models that are presented to us.</p>
<p>In a world where everything is constructed upon the urban life are these life trials utopic?</p>
<p>In our narration which we used the witness method basically, we will have questions that we seek answers. Is it possible for people who have spent so much time in big cities to get rid of this urbanism that stick on them?</p>
<p>The work done is very important but how and what is the source of the responses of practical life?</p>
<p>How do people who have little or no contact with the nature have a start in the country? Is this a reunion or just a struggle with the nature? Is the word ‘it’s not the nature that needs us but we need the nature’ valid in every situation?</p>
<p>Is it possible for the ones who fought or struggled with the nature all the time and had a public memory to have another relationship in an instant?</p>
<p>Our film focuses on the ones who leave the city in order to ‘have a collective life in the country’. Although we take a stand with the ‘another life is possible’ idea, our attitude to these stories do not show it. In these life style trials, we not only witness the things created but also show the things that do not work or contradict.</p>
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<p style="font-weight: 400;">TRT Belgesel Kanalı &#8211; TRT Tourism and Documentary Channel</p>
<p style="font-weight: 400;"><strong>Yönetmen, Metin Yazarı &#8211; </strong><strong>Written and Directed by</strong></p>
<p style="font-weight: 400;">Bingöl Elmas</p>
<p style="font-weight: 400;"><strong>Kameraman &#8211; Camera</strong></p>
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<li style="font-weight: 400;">Eren Bozbaş, Uğur Hamidoğulları</li>
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<p style="font-weight: 400;"><strong>Kurgu &#8211; Editing</strong></p>
<p style="font-weight: 400;">Uğur Hamidoğulları, Ali İlhan</p>
<p style="font-weight: 400;"><strong>Müzik &#8211; Music</strong></p>
<p style="font-weight: 400;">Taner Sarf</p>
<p style="font-weight: 400;"><strong>Yapım , Yönetim Asistanı &#8211; </strong><strong>Assistants to the Director</strong></p>
<p style="font-weight: 400;">Sultan İlhan</p>
<p style="font-weight: 400;"><strong>Görsel Tasarım ve Jenerik</strong> &#8211;<strong>Color Correction and Generic Desing</strong></p>
<p style="font-weight: 400;">Ali İlhan</p>
<p style="font-weight: 400;"><strong>Ses ve Görüntü Deşifresi &#8211; Image and Sound Design</strong></p>
<p style="font-weight: 400;">Aliye Düşünmez, Sultan İlhan</p>
<p style="font-weight: 400;"><strong>Çeviriler – Translation</strong></p>
<p style="font-weight: 400;">İngilizce- English: Gülşen Altun</p>
<p style="font-weight: 400;">Rusça &#8211; Rusia :<strong> </strong>Emine Beldağ</p>
<p style="font-weight: 400;">Almanca- German:<strong> </strong>Veronika Hartman</p>
<p style="font-weight: 400;"><strong>Altyazı Uygulama – Subtitle Application</strong></p>
<p style="font-weight: 400;">Onur Çakır</p>
<p style="font-weight: 400;"><strong>Muhasebe – Accounting</strong></p>
<p style="font-weight: 400;">Metin Açar</p>
<p style="font-weight: 400;"><strong>Arşiv Görüntüleri</strong></p>
<p style="font-weight: 400;">Tuğba Özbilgin, Esra Özban</p>
<p style="font-weight: 400;">© TRT Belgesel Kanalı  – 2012</p>
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													<p>Cihan Tekay, Çiğdem Artık, Handan Musabaşoğlu, Pınar Ercan, Zeynep Kadirbeyoğlu</p>
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													<p><strong>Contributors</strong></p>
<p><strong>Acknowledgements</strong></p>
<p>The Association of Documentary Filmmakers in Turkey (BSB)</p>
<p><strong>Technical Support</strong></p>
<p>Çan Film Production KutupAyısı Documentary Productions</p>
<p>Akademi Production</p>
<p><strong>Special Thanks to</strong></p>
<p>Emre Kaya, Cengiz Holoğlu, Olcay Bingöl,</p>
<p>Nalan Özdemir, Sinem Güldal, Çağrı Çevrim,</p>
<p>Sumru Tamer, Erdem Baçinkaya, Tuğba Özbilgin,</p>
<p>Fatih Tatari, Tuğba Hançer, İsmase Arı, Suat Yalçın,</p>
<p>Mustafa Kaba, Ezgi Hamzaçebi, Esra Özban ,Sidar İnan,</p>
<p>Togay, Ece, Ali, Tobias</p>
<p>Banu Uzpeder, İncilay Erdoğan Melek Toraman,</p>
<p>Mehmet Aksoy, Zuhal Kaynak, Hakan Paşalı</p>
<p>Murat Erün, Kemal Öner, Mehmet Eryılmaz,</p>
<p>Taner Sarf, Erdem Z. Demirkol</p>
<p><strong>“This documentary has been produced by Asmin Film by TRT”.</strong></p>
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</div><p>&lt;p&gt;The post <a rel="nofollow" href="https://www.asminfilm.com/en/tarlataban/">Tarlataban</a> first appeared on <a rel="nofollow" href="https://www.asminfilm.com">Asmin Film Production</a>.&lt;/p&gt;</p>
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		<title>Permaculture</title>
		<link>https://www.asminfilm.com/en/permaculture/</link>
					<comments>https://www.asminfilm.com/en/permaculture/#respond</comments>
		
		<dc:creator><![CDATA[Yavuz AYDIN]]></dc:creator>
		<pubDate>Fri, 24 Oct 2025 21:58:00 +0000</pubDate>
				<guid isPermaLink="false">https://beemedya.com/asmin/?post_type=portfolio&#038;p=12633</guid>

					<description><![CDATA[<p>&lt;p&gt;The post <a rel="nofollow" href="https://www.asminfilm.com/en/permaculture/">Permaculture</a> first appeared on <a rel="nofollow" href="https://www.asminfilm.com">Asmin Film Production</a>.&lt;/p&gt;</p>
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			<h2>About Film</h2>
<p>Permaculture is a holistic design science which enables sustainable human settlements. Turkish Permaculture Research Institute has been founded in order to introduce permaculture and make its applications widespread in Turkey. In our film, we are tracking down permaculture applications in Turkey.</p>
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													<p>Mustafa: At this point, I have a serious problem. I clearly see all the troubles that our so called civilization will bring. Let me explain this with a quotation: Even an evil mind could not have created a thing so destructive as agriculture. We have actually invaded the world with agriculture and we are creating what we call food deserts such as square miles of corn in Iowa, the USA. There is no such thing in the nature. This has been created by man and it is totally against the nature’s laws. The most serios erosion is the result of this mono cultural, big scale and conventional agriculture.</p>
<p>Mustafa: Permaculture is a design science. This is its simplest explanation. It is very important to highlight that permaculture is not an agricultural method, ecological method or fisheries method. It’s not a water harvest method, nor is it an alternative economy method. It is not an alternative corporate structuring method, either. It is the blending the positive reciprocal effects of all of them in a life web.</p>
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								Purpose, Approach							</span>
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													<p>With their structuring, crowd and chaos making our lives a torture most of the time, are big cities our only alternatives? Can there be a conscious and preferred country life in our country too? Is it possible to live without being apart from the nature or being carried away by the consumption frenzy? Can there be an urban farmer? Are all these running away from the city, these pursuits a kind of trend? We think aloud with the people whose lives we witness. We are reconsidering the cities we live in. We ask if it is possible to build a new living space with our own color and shape apart from the models that are presented to us.</p>
<p>In a world where everything is constructed upon the urban life are these life trials utopic?</p>
<p>In our narration which we used the witness method basically, we will have questions that we seek answers. Is it possible for people who have spent so much time in big cities to get rid of this urbanism that stick on them?</p>
<p>The work done is very important but how and what is the source of the responses of practical life?</p>
<p>How do people who have little or no contact with the nature have a start in the country? Is this a reunion or just a struggle with the nature? Is the word ‘it’s not the nature that needs us but we need the nature’ valid in every situation?</p>
<p>Is it possible for the ones who fought or struggled with the nature all the time and had a public memory to have another relationship in an instant?</p>
<p>Our film focuses on the ones who leave the city in order to ‘have a collective life in the country’. Although we take a stand with the ‘another life is possible’ idea, our attitude to these stories do not show it. In these life style trials, we not only witness the things created but also show the things that do not work or contradict.</p>
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													<p><strong>Yapım &#8211; Production</strong></p>
<p>TRT Belgesel Kanalı &#8211; TRT Tourism and Documentary Channel</p>
<p><strong>Yönetmen, Metin Yazarı &#8211; Written and Directed</strong> by Bingöl Elmas</p>
<p><strong>Görüntü Yönetmeni &#8211; Director of Photography</strong> Koray Kesik</p>
<p><strong>Kameraman &#8211; Cameraman</strong> Mehmet Eren Bozbaş</p>
<p><strong>Kurgu &#8211; Editing</strong> Uğur Hamidoğulları, Ali İlhan</p>
<p><strong>Ses &#8211; Sound</strong> Özkan Arınkal</p>
<p><strong>Müzik &#8211; Music</strong> Taner Sarf Yapım</p>
<p><strong>Yönetim Asistanı &#8211; Assistants to the Director</strong> Sultan İlhan, Özgür Küçüktülü</p>
<p><strong>Görsel Tasarım ve Jenerik -Color Correction and Generic Desing</strong> Ali İlhan</p>
<p><strong>Ses ve Görüntü Deşifresi</strong> Aliye Düşünmez, Sultan İlhan</p>
<p><strong>Çeviriler &#8211; Translation</strong></p>
<p><strong>İngilizce- English</strong>: Şirin Bahar Demirel</p>
<p><strong>Rusça &#8211; Rusia</strong> : Emine Beldağ</p>
<p><strong>Almanca- German</strong>: Veronika Hartman</p>
<p><strong>Altyazı Uygulama – Subtitle Application</strong> Onur Çakır</p>
<p><strong>Muhasebe – Accounting</strong> Metin Açar</p>
<p>© TRT Belgesel Kanalı – 2012</p>
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													<p>Mustafa Fatih Bakır, Erkan Buğday, Saydam-Pelin Beyazıt,</p>
<p>Selen-Murat-Tibet Akhuy, Leyla-Ezel Beyazıt,</p>
<p>Dijan Albayrak, Hira Doğrul, Hazal Sıla Akduran,</p>
<p>Kayhan Uğur, Gözde Cüce, Mehmet Tirgil</p>
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<p style="font-weight: 400;"><strong>Contributors</strong></p>
<p style="font-weight: 400;"><strong>Acknowledgements</strong></p>
<p style="font-weight: 400;">Belgesel Sinemacılar Birliği (BSB) – The Association of Documentary Filmmakers in Turkey (BSB)</p>
<p style="font-weight: 400;"><strong>Technical Support</strong></p>
<p style="font-weight: 400;">Çan Film Prodüksiyon – Çan Film Production</p>
<p style="font-weight: 400;">Kutup Ayısı Belgesel Yapımlar &#8211; Kutup Ayısı Documentary Productions</p>
<p style="font-weight: 400;">Akademi Prodüksiyon- Akademi Production</p>
<p style="font-weight: 400;"><strong>Special Thanks to</strong></p>
<p style="font-weight: 400;">Ümit Kılıçgedik, Füsun Köksal Çağrı Gürbüz,</p>
<p style="font-weight: 400;">Pınar-Mete Hacaloğlu, Yasin-Rana Sancak,Deniz Erdoğan,</p>
<p style="font-weight: 400;">Marmariç Permakültüre Giriş Kursu Katılımcıları,</p>
<p style="font-weight: 400;">Boğaziçi Üniversitesi Permakültüre Giriş Kursu Katılımcıları,</p>
<p style="font-weight: 400;">Yeşil Ev</p>
<p style="font-weight: 400;">Banu Uzpeder, İncilay Erdoğan Melek Toraman,</p>
<p style="font-weight: 400;">Mehmet Aksoy, Zuhal Kaynak, Hakan Paşalı</p>
<p style="font-weight: 400;">Murat Erün, Kemal Öner, Mehmet Eryılmaz,</p>
<p style="font-weight: 400;">Taner Sarf, Erdem Z. Demirkol “</p>
<p style="font-weight: 400;"><strong>Bu Program TRT tarafından Asmin Film’e yaptırılmıştır.</strong></p>
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		</div></div></div></div>
</div><p>&lt;p&gt;The post <a rel="nofollow" href="https://www.asminfilm.com/en/permaculture/">Permaculture</a> first appeared on <a rel="nofollow" href="https://www.asminfilm.com">Asmin Film Production</a>.&lt;/p&gt;</p>
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		<title>Pastoral Valley</title>
		<link>https://www.asminfilm.com/en/pastoral-valley/</link>
					<comments>https://www.asminfilm.com/en/pastoral-valley/#respond</comments>
		
		<dc:creator><![CDATA[Yavuz AYDIN]]></dc:creator>
		<pubDate>Fri, 24 Oct 2025 21:52:20 +0000</pubDate>
				<guid isPermaLink="false">https://beemedya.com/asmin/?post_type=portfolio&#038;p=12632</guid>

					<description><![CDATA[<p>&lt;p&gt;The post <a rel="nofollow" href="https://www.asminfilm.com/en/pastoral-valley/">Pastoral Valley</a> first appeared on <a rel="nofollow" href="https://www.asminfilm.com">Asmin Film Production</a>.&lt;/p&gt;</p>
]]></description>
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			<h2>About Film</h2>
<p>Ahmet Kizen is one of the first to turn to rural living and maybe the one who knows this field the best. He is the one knowing the problems of ecological premises and the obstructions. He has some works what kind of problems those trials lead to and how to solve them. 900 saplings he planted have grown up and produced fruits.</p>
<p>Ahmet Kizen is among the first ones who started ecological tourism in Turkey. Guests are hosted in Pastoral Valley in all 12 months. They eat organic and ecologically grown food from the garden. If they want, they can stay there in return for work in the garden or help the farming. Or, they can just have a holiday in nature. Meanwhile, in rural life, they can meet the nature and they can develop their handcraft in local culture workshops. ‘Natural life style design, tomato paste – tarhana (sundried food made of tomato, yoghurt and flour) – noodle – jam – pickle making, pottery, wood carving, and wattling are the courses offered in the ranch.</p>
<p>In this episode, we are describing the ‘side effects’ of ecological life from Ahmet Kizen’s experiences.</p>
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													<p>Ahmet: Not earning money; just living by. This is very important in rural life as when you start eraning money, there is no end to that. You cannot stop since the land and land income is much higher than agricultural income. The places in Aegean and Mediterranean, where the rural fabric has been destroyed are some examples to that.</p>
<p>Ahmet: I’m from Istanbul. I was born and raised there. I am a graduate of Istanbul Technical University. I left Istanbul when I was in Levent, which had been a very nice place in the past. After years, what we see is higher buildings and giant skyscrapers. Now, here we host people from there. I call them city sick. They are so sick of the city that they have to come here and breathe once in a while.</p>
<p>Ahmet: This is ecological life farm. This is the place for farm production. The main here is to produce something. There are beneficiaries. I call them shareholders.</p>
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													<p>With their structuring, crowd and chaos making our lives a torture most of the time, are big cities our only alternatives? Can there be a conscious and preferred country life in our country too? Is it possible to live without being apart from the nature or being carried away by the consumption frenzy? Can there be an urban farmer? Are all these running away from the city, these pursuits a kind of trend? We think aloud with the people whose lives we witness. We are reconsidering the cities we live in. We ask if it is possible to build a new living space with our own color and shape apart from the models that are presented to us.</p>
<p>In a world where everything is constructed upon the urban life are these life trials utopic?</p>
<p>In our narration which we used the witness method basically, we will have questions that we seek answers. Is it possible for people who have spent so much time in big cities to get rid of this urbanism that stick on them?</p>
<p>The work done is very important but how and what is the source of the responses of practical life?</p>
<p>How do people who have little or no contact with the nature have a start in the country? Is this a reunion or just a struggle with the nature? Is the word ‘it’s not the nature that needs us but we need the nature’ valid in every situation?</p>
<p>Is it possible for the ones who fought or struggled with the nature all the time and had a public memory to have another relationship in an instant?</p>
<p>Our film focuses on the ones who leave the city in order to ‘have a collective life in the country’. Although we take a stand with the ‘another life is possible’ idea, our attitude to these stories do not show it. In these life style trials, we not only witness the things created but also show the things that do not work or contradict.</p>
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													<p><strong>Yapım &#8211; Production</strong></p>
<p>TRT Belgesel Kanalı &#8211; TRT Tourism and Documentary Channel</p>
<p><strong>Yönetmen, Metin Yazarı &#8211; Written and Directed</strong> by Bingöl Elmas</p>
<p><strong>Görüntü Yönetmeni &#8211; Director of Photography</strong> Koray Kesik</p>
<p><strong>Kameraman &#8211; Cameraman</strong> Mehmet Eren Bozbaş</p>
<p><strong>Kurgu &#8211; Editing</strong> Uğur Hamidoğulları, Ali İlhan</p>
<p><strong>Ses &#8211; Sound</strong> Özkan Arınkal</p>
<p><strong>Müzik &#8211; Music</strong> Taner Sarf Yapım</p>
<p><strong>Yönetim Asistanı &#8211; Assistants to the Director</strong> Sultan İlhan, Özgür Küçüktülü</p>
<p><strong>Görsel Tasarım ve Jenerik -Color Correction and Generic Desing</strong> Ali İlhan</p>
<p><strong>Ses ve Görüntü Deşifresi</strong> Aliye Düşünmez, Sultan İlhan</p>
<p><strong>Çeviriler &#8211; Translation</strong></p>
<p><strong>İngilizce- English</strong>: Şirin Bahar Demirel</p>
<p><strong>Rusça &#8211; Rusia</strong> : Emine Beldağ</p>
<p><strong>Almanca- German</strong>: Veronika Hartman</p>
<p><strong>Altyazı Uygulama – Subtitle Application</strong> Onur Çakır</p>
<p><strong>Muhasebe – Accounting</strong> Metin Açar</p>
<p>© TRT Belgesel Kanalı – 2012</p>
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													<p>Ahmet Kizen, Hatice Aslan, Şenel Aslan,Gülcan Aslan, Müfide Kizen, Tamarra Han, Nurgül Söğüt, Çimen Koyuncu, Ayfer Aksakal</p>
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<p style="font-weight: 400;"><strong>Contributors</strong></p>
<p style="font-weight: 400;"><strong>Acknowledgements</strong></p>
<p style="font-weight: 400;">The Association of Documentary Filmmakers in Turkey (BSB)</p>
<p style="font-weight: 400;">Dedetepe Organic Farming</p>
<p style="font-weight: 400;"><strong>Technical support</strong></p>
<p style="font-weight: 400;">Çan Film Production</p>
<p style="font-weight: 400;">KutupAyısı Documentary Productions</p>
<p style="font-weight: 400;">Akademi Production</p>
<p style="font-weight: 400;"><strong>Special thanks to</strong></p>
<p style="font-weight: 400;">İncilay Erdoğan</p>
<p style="font-weight: 400;">Alemdar Family: Erkan, Tamahine, Rüya, Nehir</p>
<p style="font-weight: 400;">Banu Uzpeder, Melek Toraman, Mehmet Aksoy,</p>
<p style="font-weight: 400;">Zuhal Kaynak, Hakan Paşalı</p>
<p style="font-weight: 400;">Çiğdem Kesik, Hayriye Savaşçıoğlu</p>
<p style="font-weight: 400;">Zeycan Elmas, Ayfer Tokatlıoğlu, Alev Elmas</p>
<p style="font-weight: 400;">Mehmet Eryılmaz, Taner Sarf, Erdem Z. Demirkol</p>
<p style="font-weight: 400;">This documentary has been produced by Asmin Film for TRT</p>
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</div><p>&lt;p&gt;The post <a rel="nofollow" href="https://www.asminfilm.com/en/pastoral-valley/">Pastoral Valley</a> first appeared on <a rel="nofollow" href="https://www.asminfilm.com">Asmin Film Production</a>.&lt;/p&gt;</p>
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		<title>Eco Market</title>
		<link>https://www.asminfilm.com/en/eco-market/</link>
					<comments>https://www.asminfilm.com/en/eco-market/#respond</comments>
		
		<dc:creator><![CDATA[Yavuz AYDIN]]></dc:creator>
		<pubDate>Fri, 24 Oct 2025 21:42:54 +0000</pubDate>
				<guid isPermaLink="false">https://beemedya.com/asmin/?post_type=portfolio&#038;p=12631</guid>

					<description><![CDATA[<p>&lt;p&gt;The post <a rel="nofollow" href="https://www.asminfilm.com/en/eco-market/">Eco Market</a> first appeared on <a rel="nofollow" href="https://www.asminfilm.com">Asmin Film Production</a>.&lt;/p&gt;</p>
]]></description>
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			<h2>About Film</h2>
<p>The results of genetically-modified products, hormones and additives have become much more visible. When there’s no taste or smell in what we eat, there has been a return to the natural. Especially, parents who just had children gave priority to finding natural, non additive products on top of everything else. New markets have been set up with the leadership of Wheat Association. We have ecological markets in Kadıköy, Şişli and, the newest, in Kartal. Our film narrates the life that has been created in the ecological market which is much more than just a market with its music, shows and activities.</p>
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													<p><strong>Batur</strong>: Generally, there’s a perception of luxurious goods. Actually, organic products are not luxury. They are not products for one group of people, either. When they become common, their prices will decrease, too. When we have a look at the customer profile of our markets, families with children take the lead. These families are generally between 30-40 and they just had children. They have had cancer in the family or they are gourmets. Also, they are from the group we call as intellectuals. As Wheat Association, we have never regarded these markets as a trading place. We did not embrace a model like that. Unless we share the philosophy of ecological life and culture or generalize it for everyone, we do not think that the sale of organic products will increase in Turkey. People may come to the market because it is the trend. They only come for a short time but that is their mentality.</p>
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													<p>With their structuring, crowd and chaos making our lives a torture most of the time, are big cities our only alternatives? Can there be a conscious and preferred country life in our country too? Is it possible to live without being apart from the nature or being carried away by the consumption frenzy? Can there be an urban farmer? Are all these running away from the city, these pursuits a kind of trend? We think aloud with the people whose lives we witness. We are reconsidering the cities we live in. We ask if it is possible to build a new living space with our own color and shape apart from the models that are presented to us.</p>
<p>In a world where everything is constructed upon the urban life are these life trials utopic?</p>
<p>In our narration which we used the witness method basically, we will have questions that we seek answers. Is it possible for people who have spent so much time in big cities to get rid of this urbanism that stick on them?</p>
<p>The work done is very important but how and what is the source of the responses of practical life?</p>
<p>How do people who have little or no contact with the nature have a start in the country? Is this a reunion or just a struggle with the nature? Is the word ‘it’s not the nature that needs us but we need the nature’ valid in every situation?</p>
<p>Is it possible for the ones who fought or struggled with the nature all the time and had a public memory to have another relationship in an instant?</p>
<p>Our film focuses on the ones who leave the city in order to ‘have a collective life in the country’. Although we take a stand with the ‘another life is possible’ idea, our attitude to these stories do not show it. In these life style trials, we not only witness the things created but also show the things that do not work or contradict.</p>
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													<p><strong>Yapım &#8211; Production</strong></p>
<p>TRT Belgesel Kanalı &#8211; TRT Tourism and Documentary Channel</p>
<p><strong>Yönetmen, Metin Yazarı &#8211; Written and Directed</strong>&nbsp;by Bingöl Elmas</p>
<p><strong>Görüntü Yönetmeni &#8211; Director of Photography</strong>&nbsp;Koray Kesik</p>
<p><strong>Kameraman &#8211; Cameraman</strong>&nbsp;Mehmet Eren Bozbaş</p>
<p><strong>Kurgu &#8211; Editing</strong>&nbsp;Uğur Hamidoğulları, Ali İlhan</p>
<p><strong>Ses &#8211; Sound</strong>&nbsp;Özkan Arınkal</p>
<p><strong>Müzik &#8211; Music</strong>&nbsp;Taner Sarf Yapım</p>
<p><strong>Yönetim Asistanı &#8211; Assistants to the Director</strong>&nbsp;Sultan İlhan, Özgür Küçüktülü</p>
<p><strong>Görsel Tasarım ve Jenerik -Color Correction and Generic Desing</strong>&nbsp;Ali İlhan</p>
<p><strong>Ses ve Görüntü Deşifresi</strong>&nbsp;Aliye Düşünmez, Sultan İlhan</p>
<p><strong>Çeviriler &#8211; Translation</strong></p>
<p><strong>İngilizce- English</strong>: Şirin Bahar Demirel</p>
<p><strong>Rusça &#8211; Rusia</strong>&nbsp;: Emine Beldağ</p>
<p><strong>Almanca- German</strong>: Veronika Hartman</p>
<p><strong>Altyazı Uygulama – Subtitle Application</strong>&nbsp;Onur Çakır</p>
<p><strong>Muhasebe – Accounting</strong>&nbsp;Metin Açar</p>
<p>© TRT Belgesel Kanalı – 2012</p>
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					<div class="wd-accordion-content wd-entry-content" data-accordion-index="4">
													<p>Batur Şehirlioğlu, Bahri Artuğ, Serkan Kırmızı,</p>
<p>Şaban Burhan, Safiye Başak, Hamdiye Burhan,</p>
<p>Şule Şenol, Yusuf Cebeci, Alper Kul</p>
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													<p><strong>Thanks for Their Contributions</strong></p>
<p>The Association of Documentary Filmmakers in Turkey (BSB)</p>
<p><strong>Technical Support</strong></p>
<p>Çan Film Production &#8211; Çan Film Production, Polar Bear Documentary Productions &#8211; Polar Bear Documentary</p>
<p>Productions Academy Production &#8211; Academy Production</p>
<p><strong>Special Thanks</strong></p>
<p>Semra Bozacı Okumuş, Mine Eloğlu, Selma Yılmaz,</p>
<p>Özlem Çarkçıoğlu, Leyla Ünlüboy, Zerrin Cebeci,</p>
<p>Volkan Arslan, Gizem Altınnance, Berkay Atik,</p>
<p>Oya Ayman, Yeşim Aydemir, Şehnaz Sam,</p>
<p>Erkan Alemdar, Güneşin Aydemir, Buğday Association and Eko Pazar employees,</p>
<p>Banu Uzpeder, İncilay Erdoğan, Melek Toraman,</p>
<p>Mehmet Aksoy, Zuhal Kaynak, Hakan Paşalı,</p>
<p>Mehmet Eryılmaz, Selda Meral, Mustafa Ünlü,</p>
<p>Taner Sarf, Özge Gökçe, Erdem Z. Demirkol</p>
<p>“This program was commissioned by TRT and produced by Asmin Film.</p>
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		</div></div></div></div>
</div><p>&lt;p&gt;The post <a rel="nofollow" href="https://www.asminfilm.com/en/eco-market/">Eco Market</a> first appeared on <a rel="nofollow" href="https://www.asminfilm.com">Asmin Film Production</a>.&lt;/p&gt;</p>
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		<item>
		<title>Güneşköy</title>
		<link>https://www.asminfilm.com/en/guneskoy/</link>
					<comments>https://www.asminfilm.com/en/guneskoy/#respond</comments>
		
		<dc:creator><![CDATA[Yavuz AYDIN]]></dc:creator>
		<pubDate>Fri, 24 Oct 2025 21:38:29 +0000</pubDate>
				<guid isPermaLink="false">https://beemedya.com/asmin/?post_type=portfolio&#038;p=12630</guid>

					<description><![CDATA[<p>&lt;p&gt;The post <a rel="nofollow" href="https://www.asminfilm.com/en/guneskoy/">Güneşköy</a> first appeared on <a rel="nofollow" href="https://www.asminfilm.com">Asmin Film Production</a>.&lt;/p&gt;</p>
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			<h2>About Film</h2>
<p>A group of students and academicians from METU Ankara set up a cooperative to encourage people who are disconnected with the land to ecologic life and organic farming. Besides, they have been doing this in such harsh climate as Central Anatolia where there is little agriculture with low rates of production. Since 2000, they have been trying to develop a greenhouse type which can be run with natural energy, used in the rural area, economical and ecologically applicable. Professor Gönül, who calls herself a Güneşköy volunteer, the leader of the work, Professor Ali, are teachers in the department of Chemistry at METU. These days, they are pondering on the idea of establishing a lasting relationship and a language with the villagers.</p>
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													<p>Ali: We still have time. There are still people living in the rural areas. Can we make their lives better and more qualified, and then benefit from that? I mean, my dream is how we can create that mutual relationship.</p>
<p>Sinan: We used to sow on a shallow bed. Then, we decided to change the method with my professor. Now, there is a difference between shallow and elevated bed. That is, the production has increased.</p>
<p>Ali: Sinan learnt that. Nezir learnt that. There are women who worked here.</p>
<p>Ali: Creating a new world culture. Can we create something as an alternative to capitalism, to the big capital market? Can we create a life style? My dream is to realize this eve in a small scale and see the results. Now, we are trying to do that within our power.</p>
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													<p>With their structuring, crowd and chaos making our lives a torture most of the time, are big cities our only alternatives? Can there be a conscious and preferred country life in our country too? Is it possible to live without being apart from the nature or being carried away by the consumption frenzy? Can there be an urban farmer? Are all these running away from the city, these pursuits a kind of trend? We think aloud with the people whose lives we witness. We are reconsidering the cities we live in. We ask if it is possible to build a new living space with our own color and shape apart from the models that are presented to us.</p>
<p>In a world where everything is constructed upon the urban life are these life trials utopic?</p>
<p>In our narration which we used the witness method basically, we will have questions that we seek answers. Is it possible for people who have spent so much time in big cities to get rid of this urbanism that stick on them?</p>
<p>The work done is very important but how and what is the source of the responses of practical life?</p>
<p>How do people who have little or no contact with the nature have a start in the country? Is this a reunion or just a struggle with the nature? Is the word ‘it’s not the nature that needs us but we need the nature’ valid in every situation?</p>
<p>Is it possible for the ones who fought or struggled with the nature all the time and had a public memory to have another relationship in an instant?</p>
<p>Our film focuses on the ones who leave the city in order to ‘have a collective life in the country’. Although we take a stand with the ‘another life is possible’ idea, our attitude to these stories do not show it. In these life style trials, we not only witness the things created but also show the things that do not work or contradict.</p>
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													<p><strong>Yapım &#8211; Production</strong></p>
<p>TRT Belgesel Kanalı &#8211; TRT Tourism and Documentary Channel</p>
<p><strong>Yönetmen, Metin Yazarı &#8211; Written and Directed</strong> by Bingöl Elmas</p>
<p><strong>Görüntü Yönetmeni &#8211; Director of Photography</strong> Koray Kesik</p>
<p><strong>Kameraman &#8211; Cameraman</strong> Mehmet Eren Bozbaş</p>
<p><strong>Kurgu &#8211; Editing</strong> Uğur Hamidoğulları, Ali İlhan</p>
<p><strong>Ses &#8211; Sound</strong> Özkan Arınkal</p>
<p><strong>Müzik &#8211; Music</strong> Taner Sarf Yapım</p>
<p><strong>Yönetim Asistanı &#8211; Assistants to the Director</strong> Sultan İlhan, Özgür Küçüktülü</p>
<p><strong>Görsel Tasarım ve Jenerik -Color Correction and Generic Desing</strong> Ali İlhan</p>
<p><strong>Ses ve Görüntü Deşifresi</strong> Aliye Düşünmez, Sultan İlhan</p>
<p><strong>Çeviriler &#8211; Translation</strong></p>
<p><strong>İngilizce- English</strong>: Şirin Bahar Demirel</p>
<p><strong>Rusça &#8211; Rusia</strong> : Emine Beldağ</p>
<p><strong>Almanca- German</strong>: Veronika Hartman</p>
<p><strong>Altyazı Uygulama – Subtitle Application</strong> Onur Çakır</p>
<p><strong>Muhasebe – Accounting</strong> Metin Açar</p>
<p>© TRT Belgesel Kanalı – 2012</p>
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													<p>Ali Gökmen, İnci Gökmen, Çetin Göksu, Nezir Çetin, Sinan Erten, Celal Taştan</p>
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													<p><strong>Thanks for Their Contributions</strong></p>
<p>The Association of Documentary Filmmakers in Turkey (BSB)</p>
<p><strong>Technical Support</strong></p>
<p>Çan Film Production</p>
<p>Popular Bear Documentary Productions</p>
<p>Akademi Production</p>
<p><strong>Special Thanks</strong></p>
<p>Banu Uzpeder, İncilay Erdoğan</p>
<p>Melek Toraman, Mehmet Aksoy</p>
<p>Zuhal Kaynak, Hakan Paşalı</p>
<p>Çiğdem Kesik, Hayriye Savaşçıoğlu</p>
<p>Zeycan Elmas, Ayfer Tokatlıoğlu, Alev Elmas</p>
<p>Mehmet Eryılmaz, Mustafa Ünlü, Taner Sarf</p>
<p>Özge Gökçe, Erdem Z. Demirkol</p>
<p>“This program was produced by TRT for Asmin Film.</p>
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		</div></div></div></div>
</div><p>&lt;p&gt;The post <a rel="nofollow" href="https://www.asminfilm.com/en/guneskoy/">Güneşköy</a> first appeared on <a rel="nofollow" href="https://www.asminfilm.com">Asmin Film Production</a>.&lt;/p&gt;</p>
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		<item>
		<title>Marmariç</title>
		<link>https://www.asminfilm.com/en/marmaric/</link>
					<comments>https://www.asminfilm.com/en/marmaric/#respond</comments>
		
		<dc:creator><![CDATA[Yavuz AYDIN]]></dc:creator>
		<pubDate>Fri, 24 Oct 2025 21:26:26 +0000</pubDate>
				<guid isPermaLink="false">https://beemedya.com/asmin/?post_type=portfolio&#038;p=12629</guid>

					<description><![CDATA[<p>&lt;p&gt;The post <a rel="nofollow" href="https://www.asminfilm.com/en/marmaric/">Marmariç</a> first appeared on <a rel="nofollow" href="https://www.asminfilm.com">Asmin Film Production</a>.&lt;/p&gt;</p>
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			<h2>About Film</h2>
<p>Marmariç team lived together in Kuzguncuk, Istanbul for 15 years, and then, they decided to live in the country. They found an abandoned village in İzmir. Some members of the group settled there and some others continued from the city. This is an initiative nearly every environmentalist believes that works and succeeds.</p>
<p>Marmariç team’s own description is ‘The aim that put us together was to establish a communal life in the country &#8230; We do not rely on the words while describing ourselves as we do not claim that there is only one and the best truth. All of these do not mean that there isn’t only one way that united us. We have our preferences. We learn while living and doing.’</p>
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													<p><strong>Murat:</strong> “We left Istanbul in 2006 and came here. Since then, we have had lots of ups and downs in our lives here. Yet, this collective life and our union here is quite valuable for me.”</p>
<p><strong>Erkan:</strong> “We are in an agreement without any contracts as we have responsibility we have to others is the responsibility that we have to ourselves. Also, we don’t bring anyone to account because we accept everything anyone can do. We say to each other ‘You can make mistakes, so are you still with me? I’m with you because no matter how many mistakes I do, I have to continue to be with myself. Our root is the time we have spent together, our body is our presence and the things we have done in this place, and our arms are everyone we can reach.</p>
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													<p>With their structuring, crowd and chaos making our lives a torture most of the time, are big cities our only alternatives? Can there be a conscious and preferred country life in our country too? Is it possible to live without being apart from the nature or being carried away by the consumption frenzy? Can there be an urban farmer? Are all these running away from the city, these pursuits a kind of trend? We think aloud with the people whose lives we witness. We are reconsidering the cities we live in. We ask if it is possible to build a new living space with our own color and shape apart from the models that are presented to us.</p>
<p>In a world where everything is constructed upon the urban life are these life trials utopic?</p>
<p>In our narration which we used the witness method basically, we will have questions that we seek answers. Is it possible for people who have spent so much time in big cities to get rid of this urbanism that stick on them?</p>
<p>The work done is very important but how and what is the source of the responses of practical life?</p>
<p>How do people who have little or no contact with the nature have a start in the country? Is this a reunion or just a struggle with the nature? Is the word ‘it’s not the nature that needs us but we need the nature’ valid in every situation?</p>
<p>Is it possible for the ones who fought or struggled with the nature all the time and had a public memory to have another relationship in an instant?</p>
<p>Our film focuses on the ones who leave the city in order to ‘have a collective life in the country’. Although we take a stand with the ‘another life is possible’ idea, our attitude to these stories do not show it. In these life style trials, we not only witness the things created but also show the things that do not work or contradict.</p>
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													<p><strong>Yapım &#8211; Production</strong></p>
<p>TRT Belgesel Kanalı &#8211; TRT Tourism and Documentary Channel</p>
<p><strong>Yönetmen, Metin Yazarı &#8211; Written and Directed</strong> by Bingöl Elmas</p>
<p><strong>Görüntü Yönetmeni &#8211; Director of Photography</strong> Koray Kesik</p>
<p><strong>Kameraman &#8211; Cameraman</strong> Mehmet Eren Bozbaş</p>
<p><strong>Kurgu &#8211; Editing</strong> Uğur Hamidoğulları, Ali İlhan</p>
<p><strong>Ses &#8211; Sound</strong> Özkan Arınkal</p>
<p><strong>Müzik &#8211; Music</strong> Taner Sarf Yapım</p>
<p><strong>Yönetim Asistanı &#8211; Assistants to the Director</strong> Sultan İlhan, Özgür Küçüktülü</p>
<p><strong>Görsel Tasarım ve Jenerik -Color Correction and Generic Desing</strong> Ali İlhan</p>
<p><strong>Ses ve Görüntü Deşifresi</strong> Aliye Düşünmez, Sultan İlhan</p>
<p><strong>Çeviriler &#8211; Translation</strong></p>
<p><strong>İngilizce- English</strong>: Şirin Bahar Demirel</p>
<p><strong>Rusça &#8211; Rusia</strong> : Emine Beldağ</p>
<p><strong>Almanca- German</strong>: Veronika Hartman</p>
<p><strong>Altyazı Uygulama – Subtitle Application</strong> Onur Çakır</p>
<p><strong>Muhasebe – Accounting</strong> Metin Açar</p>
<p>© TRT Belgesel Kanalı – 2012</p>
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													<p>Erkan Buğday, Saydam-Pelin Beyazıt, Selen-Murat Akhuy, Tibet Akhuy, Leyla-Ezel Beyazıt, Dijan Albayrak, Hira Doğrul, Hazal Sıla Akduran, Kayhan Uğur, Mustafa Fatih Bakır, Ümit Kılıçgedik, Çağrı Gürbüz, Pınar-Mete Hacaloğlu, Yasin-Rana Sancak</p>
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													<p>Contributors</p>
<p><strong>Acknowledgements</strong></p>
<p>The Association of Documentary Filmmakers in Turkey (BSB)</p>
<p><strong>Technical Support</strong></p>
<p>Çan Film Production</p>
<p>KutupAyısı Documentary Productions</p>
<p>Akademi Production</p>
<p><strong>Special Thanks to</strong></p>
<p>Kaya Hacaloğlu, Birsenİncedayı, Ayşe İncedayı</p>
<p>BanuUzpeder, İncilayErdoğan</p>
<p>MelekToraman, Mehmet Aksoy,</p>
<p>ZuhalKaynak, HakanPaşalı</p>
<p>ÇiğdemKesik, HayriyeSavaşçıoğlu</p>
<p>ZeycanElmas, AyferTokatlıoğlu, AlevElmas</p>
<p>Mehmet Eryılmaz, TanerSarf, Erdem Z. Demirkol</p>
<p>“This Documentary has been produced by Asmin Film for TRT”</p>
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</div><p>&lt;p&gt;The post <a rel="nofollow" href="https://www.asminfilm.com/en/marmaric/">Marmariç</a> first appeared on <a rel="nofollow" href="https://www.asminfilm.com">Asmin Film Production</a>.&lt;/p&gt;</p>
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		<title>Sister Plants</title>
		<link>https://www.asminfilm.com/en/sister-plants/</link>
					<comments>https://www.asminfilm.com/en/sister-plants/#respond</comments>
		
		<dc:creator><![CDATA[Yavuz AYDIN]]></dc:creator>
		<pubDate>Fri, 24 Oct 2025 21:21:34 +0000</pubDate>
				<guid isPermaLink="false">https://beemedya.com/asmin/?post_type=portfolio&#038;p=12628</guid>

					<description><![CDATA[<p>&lt;p&gt;The post <a rel="nofollow" href="https://www.asminfilm.com/en/sister-plants/">Sister Plants</a> first appeared on <a rel="nofollow" href="https://www.asminfilm.com">Asmin Film Production</a>.&lt;/p&gt;</p>
]]></description>
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			<h2>About Film</h2>
<p>A group of friends from Ankara set up a group called ‘Sister Plants’. They have bought land and they are doing permaculture there. They are doing farming trials with the sister plants technique.</p>
<p>Sister Plant Technique: It is based on a principle that the plants that are beneficial to each other (in shading feeding the soil, driving the hazardous insects away, attracting helpful insects, etc.) are planted next to one another and disagreeable ones are planted far away. It is one of the best effective methods for ecological agriculture.</p>
<p>This group is collecting their crops and distributing them to their members. By distributing food and information, they are working like a cooperative. With the sister plants group, we witness a life one part in the city and the other part in the village. We track down the clues on how to live in our urban lives without breaking the bonds with the nature.</p>
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													<p><strong>Ülkü:</strong> “The people feeling disturbed by man&#8217;s domination on man and its projection on ecosystem, obtain an awareness in time and they somehow find each other. It&#8217;s a process developing naturally on shared dreams. That&#8217;s how we got together. The dreams, ideals and aspirations grow by sharing them like this. &#8220;We can do this and do that.&#8221;</p>
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													<p>With their structuring, crowd and chaos making our lives a torture most of the time, are big cities our only alternatives? Can there be a conscious and preferred country life in our country too? Is it possible to live without being apart from the nature or being carried away by the consumption frenzy? Can there be an urban farmer? Are all these running away from the city, these pursuits a kind of trend? We think aloud with the people whose lives we witness. We are reconsidering the cities we live in. We ask if it is possible to build a new living space with our own color and shape apart from the models that are presented to us.</p>
<p>In a world where everything is constructed upon the urban life are these life trials utopic?</p>
<p>In our narration which we used the witness method basically, we will have questions that we seek answers. Is it possible for people who have spent so much time in big cities to get rid of this urbanism that stick on them?</p>
<p>The work done is very important but how and what is the source of the responses of practical life?</p>
<p>How do people who have little or no contact with the nature have a start in the country? Is this a reunion or just a struggle with the nature? Is the word ‘it’s not the nature that needs us but we need the nature’ valid in every situation?</p>
<p>Is it possible for the ones who fought or struggled with the nature all the time and had a public memory to have another relationship in an instant?</p>
<p>Our film focuses on the ones who leave the city in order to ‘have a collective life in the country’. Although we take a stand with the ‘another life is possible’ idea, our attitude to these stories do not show it. In these life style trials, we not only witness the things created but also show the things that do not work or contradict.</p>
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													<p><strong>Yapım &#8211; Production</strong></p>
<p>TRT Belgesel Kanalı &#8211; TRT Tourism and Documentary Channel</p>
<p><strong>Yönetmen, Metin Yazarı &#8211; Written and Directed</strong>&nbsp;by Bingöl Elmas</p>
<p><strong>Görüntü Yönetmeni &#8211; Director of Photography</strong>&nbsp;Koray Kesik</p>
<p><strong>Kameraman &#8211; Cameraman</strong>&nbsp;Mehmet Eren Bozbaş</p>
<p><strong>Kurgu &#8211; Editing</strong>&nbsp;Uğur Hamidoğulları, Ali İlhan</p>
<p><strong>Ses &#8211; Sound</strong>&nbsp;Özkan Arınkal</p>
<p><strong>Müzik &#8211; Music</strong>&nbsp;Taner Sarf Yapım</p>
<p><strong>Yönetim Asistanı &#8211; Assistants to the Director</strong>&nbsp;Sultan İlhan, Özgür Küçüktülü</p>
<p><strong>Görsel Tasarım ve Jenerik -Color Correction and Generic Desing</strong>&nbsp;Ali İlhan</p>
<p><strong>Ses ve Görüntü Deşifresi</strong>&nbsp;Aliye Düşünmez, Sultan İlhan</p>
<p><strong>Çeviriler &#8211; Translation</strong></p>
<p><strong>İngilizce- English</strong>: Şirin Bahar Demirel</p>
<p><strong>Rusça &#8211; Rusia</strong>&nbsp;: Emine Beldağ</p>
<p><strong>Almanca- German</strong>: Veronika Hartman</p>
<p><strong>Altyazı Uygulama – Subtitle Application</strong>&nbsp;Onur Çakır</p>
<p><strong>Muhasebe – Accounting</strong>&nbsp;Metin Açar</p>
<p>© TRT Belgesel Kanalı – 2012</p>
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													<p>Ali İhsan Başgül, Sevtap Kavruk, Ceyhan Temürcü,</p>
<p>Nihal Temürcü, Cemal Ersin, Nilüfer Akay Ersin,</p>
<p>Murat Tekin, Evren Yılmaz Tekin, Mehmet Kocabey,</p>
<p>Nurhayat Varol, Tolga Tuğbay Özçelik, Ülkü Sayılan</p>
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													<p><strong>Thanks for Their Contributions</strong><br />
The Association of Documentary Filmmakers in Turkey (BSB)</p>
<p><strong>Technical Support</strong><br />
Çan Film Production<br />
Kutup Bearısı Documentary Productions<br />
Akademi Production</p>
<p><strong>Special Thanks</strong></p>
<p>İncilay Erdoğan</p>
<p>Banu Uzpeder, Melek Toraman, Mehmet Aksoy,<br />
Zuhal Kaynak, Hakan Paşalı</p>
<p>Çiğdem Kesik, Hayriye Savaşçıoğlu</p>
<p>Zeycan Elmas, Ayfer Tokatlıoğlu, Alev Elmas</p>
<p>Mehmet Eryılmaz, Taner Sarf, Erdem Z. Demirkol</p>
<p>“This program was produced by TRT for Asmin Film.</p>
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</div><p>&lt;p&gt;The post <a rel="nofollow" href="https://www.asminfilm.com/en/sister-plants/">Sister Plants</a> first appeared on <a rel="nofollow" href="https://www.asminfilm.com">Asmin Film Production</a>.&lt;/p&gt;</p>
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		<title>Olive House</title>
		<link>https://www.asminfilm.com/en/olive-house/</link>
					<comments>https://www.asminfilm.com/en/olive-house/#respond</comments>
		
		<dc:creator><![CDATA[Yavuz AYDIN]]></dc:creator>
		<pubDate>Fri, 24 Oct 2025 21:11:47 +0000</pubDate>
				<guid isPermaLink="false">https://beemedya.com/asmin/?post_type=portfolio&#038;p=12627</guid>

					<description><![CDATA[<p>&lt;p&gt;The post <a rel="nofollow" href="https://www.asminfilm.com/en/olive-house/">Olive House</a> first appeared on <a rel="nofollow" href="https://www.asminfilm.com">Asmin Film Production</a>.&lt;/p&gt;</p>
]]></description>
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			<h2>About Film</h2>
<p>Hakan and his wife Selda have left their academic lives in Istanbul and settled in Foça. Things they knew about the land were purely academical. Later, they learnt the land and olives. From the olive gardens they bought 12 years ago, they have now managed to make a wine brand and an olive house where every kind of production is made. Organic and authentic Foça wine and olive production have now turned into a large facility. What seems like a success story is not actually something that ‘I took the chances and it happened’. It is the story of the union of the land with great patience and great effort.</p>
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<div><b>Selda:</b> “When I first came here, it was nice but then the summer had gone and the winter came, everybody retreated to their homes. It became so quite here and not promising for me. I mean I couldn’t practice my job as a teacher. I couldn’t get used to it. I had been having difficulties for</div>
<div>a long time. Sometimes I woke up in the morning and questioned myself</div>
<div>about what we were doing here. I did that for a long time.</div>
<div><b>Hakan:</b> “She questioned herself by crying.”</div>
<div><b>Selda:</b> “Like what are we doing here, what will it happen, how long can we…</div>
<div>carry on like this? We didn’t have a job. I didn’t want to turn back but it seemed like we wouldn’t make it here either.</div>
<div><b>Hakan: </b>“Our parents thought that it was going to be bad when we came here.</div>
<div>Actually, they got worried. “You have your jobs, what are you</div>
<div>doing by leaving it? Everybody wants to move to city, you want</div>
<div>the opposite way.” Right? Selda’s parents got worried more,</div>
<div>I guess. Because she also changed cities by coming to İzmir.”</div>
<div><b>Selda:</b> My father was telling me that here, it ain’t heaven either.</div>
<div>He was asking me what I was expecting. I told that I would have a much easier life. Then he askedif the bread is cheaper there. “What will you do? Bread costs the same wherever you go in Turkey.” For them, we studied and had our jobs, everything was going well. They were feeling at ease, they weren’t worried about us, about me.</div>
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								Purpose, Approach							</span>
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													<p>With their structuring, crowd and chaos making our lives a torture most of the time, are big cities our only alternatives? Can there be a conscious and preferred country life in our country too? Is it possible to live without being apart from the nature or being carried away by the consumption frenzy? Can there be an urban farmer? Are all these running away from the city, these pursuits a kind of trend? We think aloud with the people whose lives we witness. We are reconsidering the cities we live in. We ask if it is possible to build a new living space with our own color and shape apart from the models that are presented to us.</p>
<p>In a world where everything is constructed upon the urban life are these life trials utopic?</p>
<p>In our narration which we used the witness method basically, we will have questions that we seek answers. Is it possible for people who have spent so much time in big cities to get rid of this urbanism that stick on them?</p>
<p>The work done is very important but how and what is the source of the responses of practical life?</p>
<p>How do people who have little or no contact with the nature have a start in the country? Is this a reunion or just a struggle with the nature? Is the word ‘it’s not the nature that needs us but we need the nature’ valid in every situation?</p>
<p>Is it possible for the ones who fought or struggled with the nature all the time and had a public memory to have another relationship in an instant?</p>
<p>Our film focuses on the ones who leave the city in order to ‘have a collective life in the country’. Although we take a stand with the ‘another life is possible’ idea, our attitude to these stories do not show it. In these life style trials, we not only witness the things created but also show the things that do not work or contradict.</p>
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													<p><strong>Yapım &#8211; Production</strong></p>
<p>TRT Belgesel Kanalı &#8211; TRT Tourism and Documentary Channel</p>
<p><strong>Yönetmen, Metin Yazarı &#8211; Written and Directed</strong> by Bingöl Elmas</p>
<p><strong>Görüntü Yönetmeni &#8211; Director of Photography</strong> Koray Kesik</p>
<p><strong>Kameraman &#8211; Cameraman</strong> Mehmet Eren Bozbaş</p>
<p><strong>Kurgu &#8211; Editing</strong> Uğur Hamidoğulları, Ali İlhan</p>
<p><strong>Ses &#8211; Sound</strong> Özkan Arınkal</p>
<p><strong>Müzik &#8211; Music</strong> Taner Sarf Yapım</p>
<p><strong>Yönetim Asistanı &#8211; Assistants to the Director</strong> Sultan İlhan, Özgür Küçüktülü</p>
<p><strong>Görsel Tasarım ve Jenerik -Color Correction and Generic Desing</strong> Ali İlhan</p>
<p><strong>Ses ve Görüntü Deşifresi</strong> Aliye Düşünmez, Sultan İlhan</p>
<p><strong>Çeviriler &#8211; Translation</strong></p>
<p><strong>İngilizce- English</strong>: Şirin Bahar Demirel</p>
<p><strong>Rusça &#8211; Rusia</strong> : Emine Beldağ</p>
<p><strong>Almanca- German</strong>: Veronika Hartman</p>
<p><strong>Altyazı Uygulama – Subtitle Application</strong> Onur Çakır</p>
<p><strong>Muhasebe – Accounting</strong> Metin Açar</p>
<p>© TRT Belgesel Kanalı – 2012</p>
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													<p>Barçın Ailesi: Hakan, Selda, Can, Tan</p>
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<p style="font-weight: 400;"><strong>Contributors</strong></p>
<p style="font-weight: 400;"><strong>Acknowledgements</strong></p>
<p style="font-weight: 400;">The Association of Documentary Filmmakers in Turkey (BSB)</p>
<p style="font-weight: 400;"><strong> </strong></p>
<p style="font-weight: 400;"><strong>Technical Support</strong></p>
<p style="font-weight: 400;">Çan Film Production</p>
<p style="font-weight: 400;">KutupAyısı Documentary Productions</p>
<p style="font-weight: 400;">Akademi Production</p>
<p style="font-weight: 400;"><strong>Special Thanks to</strong></p>
<p style="font-weight: 400;">Enis Rıza Sakızlı, Bahriye Kabadayı Dal, Burak Dal</p>
<p style="font-weight: 400;">İncilay Erdoğan</p>
<p style="font-weight: 400;">Banu Uzpeder, Melek Toraman, Mehmet Aksoy,</p>
<p style="font-weight: 400;">Zuhal Kaynak, Hakan Paşalı</p>
<p style="font-weight: 400;">Çiğdem Kesik, Hayriye Savaşçıoğlu</p>
<p style="font-weight: 400;">Zeycan Elmas, Ayfer Tokatlıoğlu, Alev Elmas</p>
<p style="font-weight: 400;">Mehmet Eryılmaz, Taner Sarf, Erdem Z. Demirkol</p>
<p style="font-weight: 400;">“This documentary has been produced by Asmin Film for TRT.”</p>
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</div><p>&lt;p&gt;The post <a rel="nofollow" href="https://www.asminfilm.com/en/olive-house/">Olive House</a> first appeared on <a rel="nofollow" href="https://www.asminfilm.com">Asmin Film Production</a>.&lt;/p&gt;</p>
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		<title>A New Village in Bayramiç</title>
		<link>https://www.asminfilm.com/en/a-new-village-in-bayramic/</link>
					<comments>https://www.asminfilm.com/en/a-new-village-in-bayramic/#respond</comments>
		
		<dc:creator><![CDATA[Yavuz AYDIN]]></dc:creator>
		<pubDate>Fri, 24 Oct 2025 20:48:35 +0000</pubDate>
				<guid isPermaLink="false">https://beemedya.com/asmin/?post_type=portfolio&#038;p=12625</guid>

					<description><![CDATA[<p>&lt;p&gt;The post <a rel="nofollow" href="https://www.asminfilm.com/en/a-new-village-in-bayramic/">A New Village in Bayramiç</a> first appeared on <a rel="nofollow" href="https://www.asminfilm.com">Asmin Film Production</a>.&lt;/p&gt;</p>
]]></description>
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			<h2>About Film</h2>
<p>8 friends who left the Imece House bought 10 acres of land. There, they have based on farming, ecological goods and other activities. They know both traditional farming and permaculture and ecological agriculture. They found their own way by comparing and mixing all these methods. They have collected genetically-unmodified seeds from all over Turkey. Recently, they have tried to grow wheat from Van in Bayramiç. In this film, we talk about traditional and ecological agriculture.</p>
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<div style="position: relative; padding-bottom: 56.25%; height: 0; overflow: hidden;"><iframe style="width: 100%; height: 100%; position: absolute; left: 0px; top: 0px; overflow: hidden; border: none;" src="https://geo.dailymotion.com/player.html?video=x51i40d"></iframe></div>
<p>&nbsp;</p>
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													<p>Mustafa: “Firstly I have to say that we’re not city runaways. We didn’t flee. Our presence here is a conscious choice and based on philosophical reasons. It’s an initiative set out with good and strong intentions. Our object is to reach the healthy and the real food. Our intention is to produce for ourselves and then share the rest with our friends. Even this reason is enough for me to do that. I mean living in good houses in healthy conditions, producing and having a connection with nature, all of this is enough to leave the city and its relationships to choose this life. I want to enclose here with a fence for planting some trees, this part is a rocky place.”</p>
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													<p>With their structuring, crowd and chaos making our lives a torture most of the time, are big cities our only alternatives? Can there be a conscious and preferred country life in our country too? Is it possible to live without being apart from the nature or being carried away by the consumption frenzy? Can there be an urban farmer? Are all these running away from the city, these pursuits a kind of trend? We think aloud with the people whose lives we witness. We are reconsidering the cities we live in. We ask if it is possible to build a new living space with our own color and shape apart from the models that are presented to us.</p>
<p>In a world where everything is constructed upon the urban life are these life trials utopic?</p>
<p>In our narration which we used the witness method basically, we will have questions that we seek answers. Is it possible for people who have spent so much time in big cities to get rid of this urbanism that stick on them?</p>
<p>The work done is very important but how and what is the source of the responses of practical life?</p>
<p>How do people who have little or no contact with the nature have a start in the country? Is this a reunion or just a struggle with the nature? Is the word ‘it’s not the nature that needs us but we need the nature’ valid in every situation?</p>
<p>Is it possible for the ones who fought or struggled with the nature all the time and had a public memory to have another relationship in an instant?</p>
<p>Our film focuses on the ones who leave the city in order to ‘have a collective life in the country’. Although we take a stand with the ‘another life is possible’ idea, our attitude to these stories do not show it. In these life style trials, we not only witness the things created but also show the things that do not work or contradict.</p>
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													<p>Yapım &#8211; Production<br />
TRT Belgesel Kanalı &#8211; TRT Tourism and Documentary Channel</p>
<p>Yönetmen, Metin Yazarı &#8211; Written and Directed by<br />
Bingöl Elmas</p>
<p>Kameraman &#8211; Cameraman<br />
Mehmet Eren Bozbaş</p>
<p>Kurgu &#8211; Editing<br />
Uğur Hamidoğulları, Ali İlhan</p>
<p>Ses &#8211; Sound<br />
Özkan Arınkal</p>
<p>Müzik &#8211; Music<br />
Taner Sarf</p>
<p>Yapım , Yönetim Asistanı &#8211; Assistants to the Director<br />
Sultan İlhan, Özgür Küçüktülü</p>
<p>Görsel Tasarım ve Jenerik -Color Correction and Generic Desing<br />
Ali İlhan</p>
<p>Ses ve Görüntü Deşifresi<br />
Aliye Düşünmez, Sultan İlhan</p>
<p>Çeviriler &#8211; Translation<br />
İngilizce- English: Şirin Bahar Demirel<br />
Rusça &#8211; Rusia :Emine Beldağ<br />
Almanca- German:Veronika Hartman</p>
<p>Altyazı Uygulama – Subtitle Application<br />
Onur Çakır</p>
<p>Muhasebe – Accounting<br />
Metin Açar</p>
<p>© TRT Belgesel Kanalı – 2012</p>
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<div><strong>Mehmet Şükrü Dinler, Mustafa Ülgen, Nermin Kaplan, Mehmet İncili</strong></div>
<div><strong>Özlem Göneri, Ebru Toksoy, Candaş Kılıç, Hatice Doğan, Nurcan Çayıroğlu,</strong></div>
<p><strong>Ramazan Kuruoğlu, Rukiye Akıncı</strong></p>
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<div><b>Katkılarından Dolayı Teşekkürler</b></div>
<div>Belgesel Sinemacılar Birliği (BSB) – The Association of Documentary Filmmakers in Turkey (BSB)</div>
<div></div>
<div><b>Teknik Destek</b></div>
<div>Çan Film Prodüksiyon – Çan Film Production</div>
<div>Kutup Ayısı Belgesel Yapımlar &#8211; Kutup Ayısı Documentary Productions</div>
<div>Akademi Prodüksiyon- Akademi Production</div>
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<div><b>Özel Teşekkür</b></div>
<div>İncilay Erdoğan</div>
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<div>Banu Uzpeder, Melek Toraman, Mehmet Aksoy,</div>
<div>Zuhal Kaynak, Hakan Paşalı</div>
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<div>Çiğdem Kesik, Hayriye Savaşçıoğlu</div>
<div>Zeycan Elmas, Ayfer Tokatlıoğlu, Alev Elmas</div>
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<div>Mehmet Eryılmaz, Taner Sarf, Erdem Z. Demirkol</div>
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<div>“Bu Program TRT tarafından Asmin Film’e yaptırılmıştır.</div>
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</div><p>&lt;p&gt;The post <a rel="nofollow" href="https://www.asminfilm.com/en/a-new-village-in-bayramic/">A New Village in Bayramiç</a> first appeared on <a rel="nofollow" href="https://www.asminfilm.com">Asmin Film Production</a>.&lt;/p&gt;</p>
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